Adolphe Jean Menjou /'ædɒlf (February 18, 1890 – October 29, 1963) was an American actor whose career spanned both silent films and talkies. He became a leading man during the 1920s, known for his debonair and sophisticated screen presence. He was nominated for an Academy Award for Best Actor for his performance in The Front Page (1931).
He played prominent roles in The Sheik (1921), A Woman of Paris (1923), The Marriage Circle (1924), Morocco (1930), A Farewell to Arms (1932), Morning Glory (1933), and the original A Star Is Born (1937). Mainly a supporting actor after the 1940s, he played a prominent role as the antagonist of Stanley Kubrick's Paths of Glory (1957). In 1960, he received a star on the Hollywood Walk of Fame for his contributions to the motion picture industry.
A life-long Republican, Menjou was known for his right-wing political stances, and was a vocal supporter of the House Committee on Un-American Activities and a co-founder of the Motion Picture Alliance for the Preservation of American Ideals.
Menjou attended the Culver Military Academy, and graduated from Cornell University with a degree in engineering. Attracted to the vaudeville stage, he made his movie debut in 1916 in The Blue Envelope Mystery. During World War I, he served as a captain in the United States Army Ambulance Service, for which he trained in Pennsylvania before going overseas.
The crash of the stock market in 1929 meant that his contract with Paramount was cancelled, but he went on to Metro-Goldwyn-Mayer (MGM) and continued on with films (now talkies) in a variety of ways, with his knowledge of French and Spanish helping at key times, although his starring roles declined by this point. In 1930, he starred in Morocco, with Marlene Dietrich. He was nominated for an Academy Awards for The Front Page (1931), after having received the role upon the death of Louis Wolheim during rehearsals. A variety of supporting roles in this decade were films such as A Farewell to Arms (1932), Morning Glory (1933), and A Star Is Born (1937).
His roles decreased slightly in the 1940s, but he did overseas work for World War II alongside supporting roles in films like Roxie Hart (1942) and State of the Union (1948). Over the course of his career, he bridged the gap of working with several noted directors that ranged from Charlie Chaplin to Frank Borzage to Frank Capra to Stanley Kubrick.
In 1947, Menjou co-operated with the House Committee on Un-American Activities saying that Hollywood "is one of the main centers of Communist activity in America". He added: "it is the desire and wish of the masters of Moscow to use this medium for their purposes" which is "the overthrow of the American government". Menjou was a leading member of the Motion Picture Alliance for the Preservation of American Ideals, a group formed to oppose "Red Scare" in Hollywood, whose other members included John Wayne, Barbara Stanwyck (with whom Menjou costarred in Forbidden in 1932 and Golden Boy in 1939) and her husband, actor Robert Taylor.
Because of his political leanings, Menjou came into conflict with actress Katharine Hepburn, with whom he appeared in Morning Glory, Stage Door, and State of the Union (also starring Spencer Tracy). Hepburn was strongly opposed to the HUAC hearings, and their clashes were reportedly instant and mutually cutting. During a government deposition, Menjou said, "Scratch a do-gooder, like Hepburn, and they'll yell, 'Pravda'." To this, Hepburn called Menjou "wisecracking, witty—a flag-waving super-patriot who invested his American dollars in Canadian bonds and had a thing about Communists." In his book Kate, Hepburn biographer William Mann said that during the filming of State of the Union, she and Menjou spoke to each other only while acting.
Menjou was an avid Golf, regularly playing with Clark Gable.
In 1948, Menjou published his autobiography, It Took Nine Tailors.
Salvador Dalí admired Adolphe Menjou. He declared " la moustache d'Adolphe Menjou est surréaliste" and began offering fake mustaches from a silver cigarette case to other people with the words "Moustache? Moustache? Moustache?"
One of the most famous photographs by the avant-garde photographer Otto Umbehr is titled " Menjou En Gros" ca. 1928.
In the "Irresistible Andy" episode of The Andy Griffith Show, when Andy sees Barney dressed in fancy attire, Andy calls him "the Adolphe Menjou of Mayberry".
On the Season 2, Episode 11 "Leave It To Beaver", Ward states the world might have missed out on another Adolphe Menjou.
In the movie Sunset Boulevard, Joe Gillis arrives to a young adult New Year's Eve party overdressed in a vicuna overcoat and a tailcoat. Artie Green surveys his outfit and asks, "Who'd you borrow that from? Adolphe Menjou?" Andrew Lloyd Webber carries the line over to the musical adaption of the film.
In the Mario Puzo novel The Godfather, character Jules Segall references the misdiagnosis of singer Johnny Fontane's throat troubles by an "Adolphe Menjou medical man..."
In the M*A*S*H episode, "Abyssinia, Henry," Henry Blake is departing the 4077th, attired in a comically dated suit and hat. Trapper tells him: "Henry, that suit is really you!" Hawkeye, after a perfectly timed beat, adds: "If you're Adolphe Menjou."
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